Photography beyond the screen.

A textured surface and an open horizon ask for different kinds of attention. Landscape, Macro and Pattern explore that difference. Before imagining a print on a wall, spend time with the image in its collection. Consider the light around it and the distance from which you would return to it.

Looking at a print involves the viewer’s body. You move closer to read a texture, then step back to recover the whole. The room’s light becomes part of the encounter. A natural detail may acquire the breadth of a landscape, while a horizon gathers into a few lines.

Consider the images in relation to an actual space. Some hold attention through dense surfaces; others leave room for breath and silence. The collections help you recognise which distance matters to you. The physical characteristics of a particular work can then be discussed with the artist, allowing its possible presentation to follow a close reading of the image.

Paper, dimensions, any edition and presentation must be confirmed for the chosen photograph with the artist.